But, for all Jor-El knows, Superman could have travelled to Earth and become another General Zod, the film’s antagonist who is determined to annihilate the human race, and create a new Krypton, on Earth. When Jor-El sends Superman to Earth, he does so with the hope and faith that he become something greater, something “other than what society had intended.” He does not know that Superman will be good, or that he will bring freedom and love.
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Every time he dons that suit, it is intended to be hopeful or to inspire.Įvery decision made by Superman’s biological parents, Jor-El and Lara, Superman’s adopted parents, Jonathan and Martha Kent, Lois Lane and ultimately, Superman, is with the interest of hope or faith. It is a simple and really elegant way of communicating to the audience that this man is here to bring hope. This ideas of hope and faith are thoroughly represented throughout Man of Steel. This attention to that theme and it’s fierce connection to Superman is part of the reason why I adore the notion that the “S” on the character’s chest, literally means hope. This is pretty accurately reflected in Superman’s origin, as he is sent from a dying planet (Krypton) to a new home: Kansas, America. In fact, when the character was created in 1938, he was intended to be a metaphor for Jewish immigrants, fleeing their countries and moving to America. Hope and faith is a recurring theme in the Superman mythology.
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Man Of Steel looks like no other Superman film – in fact, it may be the most elaborate, baroque-looking summer film yet made.” Courtesy of Warner Bros, DC Films “And whether audiences approved of all the decisions made in Man Of Steel or not, it’s at least arguable that Zack Snyder has succeeded in creating a big-screen incarnation of Superman that stands apart from the films we’ve seen before. The fact that these incredibly talented people opted to make a contemporary, more legitimate interpretation of Superman than a classic one, is something that we should celebrate. Goyer, Snyder and producer, Christopher Nolan are attempting to communicate are far from bland.
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Wells’ First Men of the Moon, “And will be free to choose…” Later in the film, another Wells book is referenced thanks to the design of the World Engines, which evoke similar looks to the Tripods in War of the Worlds.Įven if we are not looking at the film from a visual perspective, the thematic ideas that writer, David S. To complement this, the idea of breeding for jobs – something Jor-El references – is directly taken from H.G. The general idea that Krypton’s society artificially breeds their children in pods, evokes the same idea explored in Aldous Huxley’s Brave New World. The epic, Shakespearean dialogue is so jarring and overly-epic that the sequence puts a big smile on my face. The production design (beautifully done by Alex McDowell) when on Krypton is so clearly influenced by H.R Giger, the genius behind the look of the Alien franchise. The entire Krypton opening sequence feels like the love child of Dune and Star Wars. Man of Steel takes cues from some of the most popular and iconic films, comic books and novels of all-time.
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That is super-understandable, but I cannot process the thought that this movie is “bland.” As far as films in this genre are concerned, I would call The Amazing Spider-Man 2, Justice League or 2015’s Fantastic Four “bland.” Of course, I completely understand not liking the movie. Bland implies that you feel nothing from experiencing the movie, that visually, nothing entices you.
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One of the strangest criticisms thrown at Man of Steel is the claim that the movie is “bland.” Even if you dislike this film, I cannot comprehend this complaint. Throughout this piece today, I will attempt to analyse and discuss this film in a way that has not been done before. Also, I happen to believe that it is an emotional wonder. It also happens to be remarkably hopeful. The film is incredibly authentic and unique. Man of Steel is the opposite of all those things. However, no filmmaker perfectly represented that shift in tone and atmosphere as elegantly as Zack Snyder.Ī common criticism of Man of Steel is that the film is “bland,” “overtly dark,” and “emotionally flat.” Moreover, as you may have guessed from this piece’s title, I beg to differ. Contemporary reinterpretations were becoming something of a formality. In 2005, Christopher Nolan brought Batman into the modern world, and in 2012, Marc Webb attempted to do the same with Marvel’s flagship character, Spider-Man. This was a complete overhaul of the Superman character. In 2013, “visionary filmmaker” Zack Snyder helmed the quintessential reboot.